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Daisy Edgar-Jones wore a cream-and-purple corset set from Stella McCartney’s Spring 1999 collection for Chloé at the Los Angeles premiere of Sense and Sensibility. Stylist Dani Michelle said the vintage look was central to a mood board built around Edgar-Jones’s character, Elinor Dashwood, and was sourced by Raffe Vintage.
Daisy Edgar-Jones wore a vintage cream-and-purple corset set from Stella McCartney’s Spring 1999 collection for Chloé at the Los Angeles premiere of Sense and Sensibility. The look connected the actor’s red-carpet styling with her character, Elinor Dashwood, whose costumes in the film include soft lavender tones, according to Harper’s Bazaar’s report.
The outfit paired a cream corset with floral detailing and a sweetheart neckline with a coordinating two-tone skirt. A semi-sheer shawl was draped over Edgar-Jones’s shoulders, and she wore matching open-toe heels. The vintage ensemble came from Chloé’s Spring 1999 collection, designed under Stella McCartney.
Stylist Dani Michelle said the look had been central to her mood board for bringing Edgar-Jones’s character into contemporary fashion. In an Instagram post quoted by Harper’s Bazaar, Michelle said vintage specialists Raffe Vintage sourced the outfit. The report describes this appearance as the final stop in Edgar-Jones’s period-inspired dressing for the film’s press tour.
Michelle said Edgar-Jones had wanted to wear lavender to honor Elinor’s costumes. The stylist also described the premiere as an emotional final moment after watching the film again. The source report does not give further details about the specific garment’s provenance or the date it was originally worn on the runway.
A Film Character Shapes the Red Carpet
The appearance shows how a premiere look can refer to a film’s character without reproducing a period costume. Lavender, corsetry and a romantic silhouette echoed the visual language associated with Elinor, while the outfit itself came from a late-1990s fashion collection. That made the styling a direct connection between the film’s wardrobe and contemporary red-carpet dressing.
It also puts attention on vintage fashion as a source for high-profile eventwear. Rather than commissioning a new outfit, Michelle and Edgar-Jones used an archival Chloé design, sourced through Raffe Vintage. The report does not state whether the look was borrowed or purchased, or provide details about its availability. For readers following fashion and film, the appearance is a specific example of costume references guiding a premiere wardrobe.
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The Sense and Sensibility Press Tour
Edgar-Jones stars as Elinor Dashwood in a new film adaptation of Jane Austen’s Sense and Sensibility. Harper’s Bazaar framed the Los Angeles appearance as the final look in a press-tour approach that drew on the story’s historical setting and the character’s wardrobe. The source report says Edgar-Jones worked with stylist Dani Michelle on these outfits.
The red-carpet ensemble itself was not a new custom design: it came from Chloé’s Spring 1999 collection, when Stella McCartney was designing for the house. Michelle said she had placed the look on her mood board after seeing the movie earlier in the year. The source provides no broader schedule for the film’s publicity or further details about other outfits on the tour.
“This 1999 Chloé by Stella McCartney was center of our mood board, and it was the magical girls at Raffe Vintage that sourced this look into our lives.”
— Dani Michelle, stylist, in an Instagram post quoted by Harper’s Bazaar
Stella McCartney Spring 1999 collection dress
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What the Vintage Look’s Provenance Shows
The report identifies the outfit as a look from Chloé’s Spring 1999 collection and credits Raffe Vintage with sourcing it, but does not say whether the pieces were an original runway ensemble, how they were acquired, or whether they were loaned to Edgar-Jones. It also does not provide the collection’s original runway date or identify the specific garments by style name.
The article characterizes the Los Angeles event as the final premiere and the final period-inspired look of the press tour. It does not give a complete schedule of appearances or establish whether Edgar-Jones will wear other outfits connected to the film at later events. No additional comments from the actor or the film’s costume team are included in the source material.
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The Film’s Publicity After Los Angeles
The Los Angeles premiere appearance marks the end of the press-tour styling sequence as described by Harper’s Bazaar. The source material does not specify another premiere, an upcoming fashion appearance by Edgar-Jones, or further events tied to the film, so no next red-carpet date is confirmed. Further information about the film’s release schedule and publicity plans would clarify what comes after the premiere.
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Key Questions
What did Daisy Edgar-Jones wear to the Los Angeles premiere?
She wore a cream corset with floral detailing, a two-tone skirt and a semi-sheer shawl from Chloé’s Spring 1999 collection, designed under Stella McCartney.
Why was the outfit connected to Sense and Sensibility?
Stylist Dani Michelle said Edgar-Jones wanted to wear lavender to honor Elinor Dashwood’s costumes. The outfit’s colors and romantic styling were presented as a reference to the character.
Who sourced the vintage Chloé set?
Michelle credited Raffe Vintage with sourcing the look, according to her Instagram post quoted by Harper’s Bazaar.
Was the outfit custom-made for Edgar-Jones?
The report identifies it as a look from the Spring 1999 Chloé collection, rather than a new custom design. It does not say whether the pieces were altered or how they were loaned or acquired.
Source: rss
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